You, Me & Tuscany

You, Me & Tuscany

You, Me & Tuscany

Isaiah Dennis

Isaiah Dennis

Isaiah Dennis

Introduction

It’s been a while since we had a black rom com, let alone a black romance film. We’ll have to keep waiting. 

Anna, played by Halle Bailey, has dreams of being a chef but currently is down on her luck performing odd jobs in New York City. After meeting a handsome man at a bar who mentions he owns a villa in Tuscany, she decides to take a trip and crash at his place without his knowledge. Her trip takes an unexpected turn when the handsome man’s family believes they’re engaged and she meets his cousin Michael, played by Regé-Jean Page.

It’s been a while since we had a black rom com, let alone a black romance film. We’ll have to keep waiting. 

Anna, played by Halle Bailey, has dreams of being a chef but currently is down on her luck performing odd jobs in New York City. After meeting a handsome man at a bar who mentions he owns a villa in Tuscany, she decides to take a trip and crash at his place without his knowledge. Her trip takes an unexpected turn when the handsome man’s family believes they’re engaged and she meets his cousin Michael, played by Regé-Jean Page.

Main Discussion

For a romance, there’s a lack of chemistry between both leads. Montages are overused instead of allowing both characters to have genuine conversations. If it’s not a montage, they both just stare at each other’s eyes as if that’s a substitute for character growth. Although we understand Anna’s hopes and flaws, Michael is left as one dimensional and stagnant as he lacks a personality other than sarcasm. Their only moments of intimacy are 2 shirtless scenes in a vineyard which are undercut by unnecessary jokes comparing what we’re seeing to another popular romance. This severe lack of chemistry makes you question why they are meant for each other in the first place.

The premise is grounded, but its idealized worldview feels unrealistic. The cinematography, although vibrant, looks glossy with a weird sheen over it in certain scenes which makes you wonder if they used green screen. The film doesn’t explore Italy, through scenery or its history, making the film feel small instead of expansive as we only focus on 3 locations.

For a romance, there’s a lack of chemistry between both leads. Montages are overused instead of allowing both characters to have genuine conversations. If it’s not a montage, they both just stare at each other’s eyes as if that’s a substitute for character growth. Although we understand Anna’s hopes and flaws, Michael is left as one dimensional and stagnant as he lacks a personality other than sarcasm. Their only moments of intimacy are 2 shirtless scenes in a vineyard which are undercut by unnecessary jokes comparing what we’re seeing to another popular romance. This severe lack of chemistry makes you question why they are meant for each other in the first place.

The premise is grounded, but its idealized worldview feels unrealistic. The cinematography, although vibrant, looks glossy with a weird sheen over it in certain scenes which makes you wonder if they used green screen. The film doesn’t explore Italy, through scenery or its history, making the film feel small instead of expansive as we only focus on 3 locations.

Key Takeaways

Everything feels dumbed down. The dialogue mentions everything the characters are thinking, prohibiting the audience from making any inferences, and breaking the general rule in filmmaking “Show, Don’t Tell.” For example, they repeatedly and painstakingly reiterate Anna’s backstory about 4 times throughout. The writers do not allow any of the characters to make any choice and face the repercussions of their decisions. There’s a lack of silence throughout allowing the audience to process what they’ve seen or to soak up the visuals. Instead, potential moments to breathe must have a song or voiceover overlayed. It’s as if they think you’ll be checking your phone throughout.

There’s a lack of authenticity. The story doesn’t hint at any social commentary on the potential interracial “couple” especially when black people are seen vastly different in foreign countries than in America. There are hardly any emotional stakes as the tension of the potential love triangle and the love interest’s Italian family fall apart through one line of dialogue towards the end making you realize the plot could’ve been avoided if Anna just talked things out. There’s a quick throwaway joke which feels cringeworthy once you realize the writer and director aren’t black. It feels too safe and unearned. In other words, it feels like a film intended for streaming.

Everything feels dumbed down. The dialogue mentions everything the characters are thinking, prohibiting the audience from making any inferences, and breaking the general rule in filmmaking “Show, Don’t Tell.” For example, they repeatedly and painstakingly reiterate Anna’s backstory about 4 times throughout. The writers do not allow any of the characters to make any choice and face the repercussions of their decisions. There’s a lack of silence throughout allowing the audience to process what they’ve seen or to soak up the visuals. Instead, potential moments to breathe must have a song or voiceover overlayed. It’s as if they think you’ll be checking your phone throughout.

There’s a lack of authenticity. The story doesn’t hint at any social commentary on the potential interracial “couple” especially when black people are seen vastly different in foreign countries than in America. There are hardly any emotional stakes as the tension of the potential love triangle and the love interest’s Italian family fall apart through one line of dialogue towards the end making you realize the plot could’ve been avoided if Anna just talked things out. There’s a quick throwaway joke which feels cringeworthy once you realize the writer and director aren’t black. It feels too safe and unearned. In other words, it feels like a film intended for streaming.

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Stay conntected.

We believe great content happens when the strategy is as strong as the cinematography. At OVR-ALL, we partner with you through the entire creative journey: we help you plan the vision, capture the footage, and handle the technical side of editing and distribution so your story gets the attention it deserves.

OVR-ALL

©2026 OVR-ALL. All right reserved.

Stay conntected.

We believe great content happens when the strategy is as strong as the cinematography. At OVR-ALL, we partner with you through the entire creative journey: we help you plan the vision, capture the footage, and handle the technical side of editing and distribution so your story gets the attention it deserves.

OVR-ALL

©2026 OVR-ALL. All right reserved.